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Oscar Pettersson - Motion Master

Oscar Pettersson 是斯德哥尔摩的一位 3D 动态设计师，致力于解决复杂问题。 他精致的动画常常挑战物理极限。Oscar 将复杂性转化为最纯粹有序的几何设计。凭借超现实的纹理和无限的运动，他让观众产生探究其奥秘的渴望。

客户包括 Google、Microsoft、Venmo、Tylko、Tag Heuer 等。

来自 10 年动画生涯的技巧与诀窍。那些能加速你动画工作流程的小细节。

这个设置很简单，但有一种特殊的魔力。我称之为“反向旋转”，它能创造出两个物体相互缠绕的奇妙错觉。

无需关键帧即可制作动画。 在 Cinema 4D 中使用 Mograph 和场来控制你的动画。
这个动画只使用了四个关键帧！效果器和场控制着其余一切。这是关于如何利用这些强大工具制作动画的绝佳练习。

模拟？不不不。我们进行程序化变形，以完全控制我们的动画。
我们将创建看起来像是软体模拟的效果，但我们会使用变形器和一些巧妙的技术来完全掌控动画。

在 Cinema 4D 中结合 Xpresso、关键帧和效果器的动画技术。
这是我有史以来观看次数最多的循环动画，超过 100 万次观看。我们将深入研究一些方便的 Xpresso 和效果器设置，让 Cinema 4D 完成繁重的工作，以便我们专注于完善那些关键帧。

我们不会在最后连接点；我们将连接立方体。
我无法做一节不包含旋转立方体的大师课——它们是我绝对最喜欢的元素之一。在本课中，我们将学习如何构建场景，使所有立方体每次都完美对齐。

Oscar Pettersson is a Stockholm‑based 3D motion designer with a deep dedication to solving intricate problems. His delicate animations are on the edge of what's physically possible. Oscar transforms complexity into geometric designs of the cleanest order. With surrealistic texturing and infinite motion, he leaves the audience with an urge to understand.

Clients include Google, Microsoft, Venmo, Tylko, Tag Heuer, and many more.

Tips and tricks from 10 years of animation. The small things that will speed up your animation workflow.
This setup is simple, but it has a certain magic to it. I call it “counter‑rotation,” and it creates an amazing illusion of two objects twisting around each other.

Animate without keyframes. Control your animation with Mograph and Fields inside Cinema 4D.
This animation uses just four keyframes! Effectors and Fields handle everything else. It's a fantastic exercise in how we can animate using these powerful tools.

Simulation? No no no. We deform procedurally to have 100% control over our animation.
We're going to create something that looks like a soft‑body simulation, but we'll use deformers and some clever techniques to have full control over the animation.

Combined animation techniques with Xpresso, keyframes, and effectors inside Cinema 4D.
This is my most‑viewed loop ever, with over 1 million views. We'll dive into some handy Xpresso and Effector setups, letting Cinema 4D do the heavy lifting, so we can focus on perfecting those keyframes.

We won't connect the dots in the end. We will connect the cubes.
I couldn't do a masterclass without rotating cubes — they're one of my absolute favorites. In this lesson, we'll learn how to structure the scene so all the cubes align perfectly every single time.