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Archipelago Quest - QUEST 60 CIRQUE ÉPOQUE

这是一套从“美好年代”马戏团印刷奇观中汲取灵感的预设与工具合集——那些演出海报、煤气灯光、磨损的天鹅绒，以及最后一场演出后弥漫在空气中的烟雾。 一张历经百年的海报有一种特殊的感觉。边缘被无数双手磨得柔软。色彩被阳光和时间冲淡。在阁楼和画框店、地窖和后台走廊里泛黄的纸张散发出微弱的温暖。Cirque Époque 正是建立在这种感觉之上——以及纸张曾经宣传的奇观之上。

三个创意配置文件
每个主预设都配有一个自定义创意配置文件——那个时代的色彩身份，通过 Photoshop 从零开始构建。这些配置文件承载着深层的工作：锈蚀的深红、暗淡的蓝绿、老化纸张的温暖。单独应用配置文件可获得该套装的安静版本，或将其置于匹配的预设之下以获得完整的氛围。

配置文件是可调节的。以全强度使用它们，或按喜好调低配置文件用量——色彩身份随你缩放。

三幕（预设）
Overture 承载着白天的海报——被阳光漂白的蓝绿色天空和褪色的深红，那种在风中拍打的帐篷门帘上留存的饱经风霜的壮丽。这是演出开始的地方，在灯点亮之前。

Spectacle 是煤气灯与天鹅绒，是晚间表演更深沉的氛围。深红保持着它们的浓郁。阴影柔化为紫红。空气感觉更沉重，光线更具戏剧性——正是幕间观众向前倾身的时刻。

Encore 是印刷品本身：一张夹在节目单里的泛黄传单，是承载其图像走过一个世纪的温暖棕褐色。一首对作为实物的演出海报的黑白致敬。

A collection of presets and tools drawn from the printed spectacle of the Belle Époque circus – the showbills, the gaslight, the worn velvet, the smoke that hung in the air after the last act. There's a particular feeling to a poster that's lived a hundred years. Edges softened by a thousand hands. Colours muted by sun and time. The faint warmth of paper that has yellowed in attics and frame shops, in cellars and backstage corridors. Cirque Époque is built on that feeling – and on the spectacle the paper once advertised.

Three Creative Profiles
Each main preset is paired with a custom creative profile – the colour identity of the era, built from scratch through Photoshop. These profiles carry the deep work: the rusted crimsons, the dulled teals, the warmth of aged paper. Apply a profile on its own for a quieter version of the set, or let it sit underneath its matching preset for the full atmosphere.

The profiles are dial‑able. Use them at full strength, or pull the profile amount back to taste – the colour identity scales with you.

The Three Acts (Presets)
Overture carries the daytime poster – sun‑bleached teal skies and faded crimson, the kind of weathered grandeur that lives on a tent flap snapping in the wind. It's where the show begins, before the lamps are lit.

Spectacle is gaslight and velvet, the deeper mood of the evening performance. Crimsons hold their richness. Shadows soften into mauve. The air feels heavier, the lighting more theatrical – the moment between acts when the audience leans forward.

Encore is the printed artifact itself: a yellowed handbill tucked into a programme, the warm sepia of paper that has carried its image through a century. A black and white tribute to the showbill as object.