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Artstation - Zbrush Sculpketch Tutorial Series #1

本课程面向对“Sculpketch”工作流程感到好奇的 2D 与 3D 艺术家，也适用于希望观察我在 ZBrush 中速雕（SpeedSculpting）过程的人群——无论是在家中使用 Windows 系统，还是在旅行或时间有限时使用 iPad 进行雕刻。你将看到两种操作方式的实际演示。

在开始任何个人项目之前，我通常会先明确其目的。我会问自己：它是为了成为可用于生产的角色、一个微型雕像，还是仅仅用于练习和学习？我能投入多少实际可行的时间？Sculpketch 系列对我而言属于“练习、学习与技能发展”的范畴。目标是在大约一两天内完成一个角色的雕刻和上色，并产出一张可展示的 3D 插画。“一天”意味着连续 8-10 小时，或者分两天进行、每天约 5 小时。

这个流程让我在专业工作之外找到时间时，能持续挑战自己的技能和知识。我把它当作大强度工作前的热身或准备活动——它让我保持动力和敏锐。这种方法在我从事 VFX 行业时发挥了重要作用，我可以快速创建多个带有颜色的概念雕刻迭代，让总监更容易可视化概念，就像缩略草图一样，只不过是在 3D 中。我希望这个流程能对你有类似的帮助，因为它多年来对我的数字雕刻成长贡献巨大。

很多个人雕刻项目常常是开了个头，然后大多数就被搁置了。你们都明白我的意思。Sculpketch 能帮助你建立信心去完成练习作品，并且你还可以在线上艺术平台分享它们。由于速雕的时间限制，某些区域可能会显得粗糙或未完成，但雕刻仍然可以作为特定角度的 3D 插画有效展示——作为一种 3D 概念艺术的形式。

一个 Sculpketch 不必总是超级英雄角色。它可以是你想学习的任何主题——从解剖、肖像到全身姿态等等。一旦你完成了几个 Sculpketch，可以选择其中一个你真正喜欢的，赋予它新的目的，花费数周甚至数月的时间，将其发展成可用于动画和渲染的完整制作级模型——使用你在一两天内创建的原始 Sculpketch 作为 3D 参考。

包含内容：

• 在 ZBrush PC Windows 版和 ZBrush for iPad 上完成 2 个角色的雕刻与上色

• 超过 6 小时的加速视频，以适中速度播放并附有解说，解释我的 Sculpketch 流程

• 超过 25 小时的实时录制录像（无解说）

• 金刚狼角色在 PC Windows 版上雕刻；作为附赠内容，包含 iPad 版本，我将在 iPad 上雕刻风格化的超级少女

使用软件：

• ZBrush

• Photoshop

• 31.5GB

This is intended for 2D and 3D artists who are curious about my Sculpketch workflow, as well as those who want to observe my SpeedSculpting process in ZBrush — whether I'm working on a Windows system at home or sculpting on an iPad while traveling or working with limited time. You'll be able to see both approaches in action.

Before starting any personal project, I usually define its purpose. I ask myself whether it's meant to become a production-ready character, a miniature statue, or simply a piece for practice and learning — and how much time I can realistically dedicate to it. The Sculpketch Series falls into the "Practice, Learning, and Skill Development" category for me. The goal is to sculpt and polypaint a character within roughly a day or two and produce a presentable 3D illustration. A "day" can mean 8–10 hours in one stretch or split across two days with about 5 hours each.

This process allows me to regularly challenge my skills and knowledge whenever I find time outside of professional work. I treat it like a warm-up or pre-workout exercise before heavy lifting — it keeps me motivated and sharp. This approach played a significant role during my time in the VFX industry, where I could quickly create multiple iterations of concept sculpts with colors, making it easy for supervisors to visualize the concept better, much like thumbnail sketches, but in 3D. I hope this process helps you in a similar way, as it has contributed greatly to my growth as a digital sculptor over the years.

Many personal sculpting projects often get started, but most of them get shelved. You all know what I mean. Sculpketch helps build the confidence to complete practice pieces that you can also share on online art platforms. Because of the time limitations of speed sculpting, some areas may remain rough or unfinished, but the sculpt can still be presented effectively as a 3D illustration from a specific angle — serving as a form of 3D concept art.

A Sculpketch doesn't always have to be a superhero character. It can be any subject you want to study — from anatomy and portraits to full-figure gestures and beyond. Once you've completed several Sculpketches, you can select one you really like and assign it a new purpose, investing weeks or even months to develop it into a fully production-ready model for animation and rendering — using your original Sculpketch (created in a day or two) as a 3D reference.

What's Included:

• Sculpting and Poly Painting of 2 characters in ZBrush (PC Windows) and ZBrush for iPad

• Over 6 hours of sped-up videos at a decent pace with commentary explaining my Sculpketch process

• Over 25 hours of real-time recorded footage without commentary

• The Wolverine character sculpted on the PC Windows version; as a bonus, an iPad version is included in which I sculpt the stylized Super Girl

Software Used:

• ZBrush

• Photoshop